The 3rd Intermediate Period stretches from the death of Ramesses XI in 1077 BC, which ended the New Kingdom, to the reunification under Psamtik I in 664 BC. Politically Egypt fragmented - Tanite kings, Libyan chiefs, and finally the Kushite Twenty-fifth Dynasty - yet the art could be spectacular: the gold funerary masks and silver coffins buried at Tanis rival the equipment of earlier royal tombs, coffin surfaces grew dense with deities and religious texts, and the Book of the Dead was painted in fine polychrome registers (the Papyrus of Nedjmet is an early masterpiece). Temple relief continued in New Kingdom templates, as at Shoshenq I's Bubastite Portal. Egyptologist Kenneth Kitchen argued the age was far from chaotic; the art likewise shows regional workshops keeping imperial traditions alive rather than decline.
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Defining characteristics
Lavish metalwork: gold funerary masks and silver coffins from the Tanis royal burials
Densely inscribed coffins whose surfaces are covered with deities and religious texts
Book of the Dead papyri painted in fine polychrome registers
Continuity of New Kingdom templates with looser, more schematic provincial execution
Temple relief programmes recording royal triumph, such as Shoshenq I's Bubastite Portal
Key figures
Psusennes I(r. c. 1047-1001 BC) — Tanite pharaoh whose intact silver and gold burial equipment is the period's greatest find
Shoshenq I(r. c. 943-922 BC) — Founder of the Libyan Twenty-second Dynasty; his Karnak relief records the campaign against Judah
Example works
Gold funerary mask of Psusennes I — Unknown (Tanite royal workshop) (c. 1000 BC)
Book of the Dead of Nedjmet — Unknown (c. 1070 BC)