Amarna art is the startlingly modern style of the reign of Akhenaten (c. 1353-1336 BC), who moved Egypt's capital to Akhetaten (modern Tell el-Amarna) and upended its religion around the sun disc, the Aten. Within a few decades the Egyptian artistic canon loosened into naturalism and movement: figures stretch and sway, with elongated skulls, heavy-lidded eyes and full lips; relief carving relishes fluid, soft contours in both raised and sunken technique; and royal family scenes show the pharaoh, Nefertiti and their daughters at ease under the Aten's rays. Sculptors such as Thutmose - whose workshop produced the Nefertiti bust - and the royal overseer of works Bak led the workshops producing this new imagery. The style was dismantled after Akhenaten's death, but its naturalism anticipates later developments and its images are among Egypt's most famous.
Facsimile, Amarna, North Palace, papyrus swampCC0 (credit: Nina M. Davies / Norman de Garis Davies) · source
Defining characteristics
Elongated skulls, long necks, heavy-lidded almond eyes and full lips
Naturalism and movement: swaying poses, softened contours, rounded bellies
Intimate, informal scenes of the royal family under the Aten's rays
The Aten shown as a sun disc whose rays end in small offering hands
Both raised and sunken relief, with deep sunken carving for exterior light
Key figures
Akhenaten(r. c. 1353-1336 BC) — Pharaoh who founded the style and the new capital Akhetaten
Thutmose(fl. c. 1350 BC) — Court sculptor whose workshop produced the Nefertiti bust
Bak(fl. c. 1350 BC) — Royal 'overseer of works' who made Amarna royal statuary