The Baghdad School was a short-lived but influential school of Islamic manuscript illustration that flourished in the late Abbasid capital from the late twelfth century until the Mongol sack of Baghdad in 1258 and its aftermath. Its workshops of calligraphers, illustrators, and translators produced illustrated copies of translated Greek scientific texts such as Dioscorides' De Materia Medica as well as secular literary masterpieces, above all the Maqamat al-Hariri. Where earlier painting tended toward the formulaic, Baghdad School faces are individualized and expressive, and scenes fold in the observed detail of everyday life - grooming horses, bargaining, preparing medicine. The label itself is modern: the French Orientalist Eustache de Lorey coined "Baghdad School" for a 1938 exhibition in Paris, and some scholars now prefer "Mesopotamian" or "Arab" school.
Rural Scenes by al-Wasiti, showing camels, poultry, sheep, goats and water buffalo. A palm tree leans near the village mosque with its minarPublic domain (credit: The original uploader was Al Ameer son at English Wikipedia ) · source
Defining characteristics
Individualized, expressive faces and lively hand gestures rather than stock figures
Bright, strong, flat color with balanced, decorative composition
Realistic touches of everyday life: costume, trades, street scenes
Unframed illustrations set between the lines of text instead of boxed miniatures
A blend of Byzantine, Persian, and Arab stylistic features
Gold-flecked miniatures accompanying text written in red and black ink
Key figures
Yahya ibn Mahmud al-Wasiti(fl. 1237) — Illustrator of the celebrated 1237 Maqamat al-Hariri, the school's masterpiece
Abdallah ibn al-Fadl(fl. 1224) — Translator and illustrator of the 1224 Arabic Dioscorides (De Materia Medica)