Founded in Jerusalem in 1906 by the sculptor Boris Schatz, the Bezalel art school set out to create a distinctive Jewish national art for the new Zionist community in Palestine. Its workshops fused biblical and Zionist subjects with Art Nouveau, European symbolism and the Persian, Syrian and Yemenite craft traditions of the region, producing paintings, etchings, filigree silverwork, damascene metalwork, ceramics and Judaica. Yemenite silversmiths executed many of the metalwork designs of European-trained artists such as E. M. Lilien and Ze'ev Raban. Often called the 'Hebrew style,' Bezalel's ornamental, richly patterned idiom shaped Israeli art until the school closed in 1929, after which its successor academy carried its name forward.
"Again I will Build Thee and Thou shall be Built, O Virgin of Israel", 1920s, glazed tiles produced at the "Bezalel" ceramics workshop, Ze'ePublic domain (credit: Bezalel ceramics workshop) · source
Defining characteristics
Biblical and Zionist subjects rendered in an ornamental, symbolist key
Art Nouveau line and patterning fused with Middle Eastern decorative traditions
Intricate Yemenite-style filigree silverwork and Moorish-patterned damascene metalwork
Stylized figures and landscapes drawn from local life and costume
Fine craft across media: ceramics, leather, wood, brass, textile and glazed tile
Key figures
Boris Schatz(1867-1932) — Founder of the Bezalel school and father of Israeli art
Ephraim Moses Lilien(1874-1925) — Symbolist printmaker and teacher who set the school's graphic style
Ze'ev Raban(1890-1970) — Leading decorative artist and teacher who defined the Bezalel style
Hermann Struck(1876-1944) — Etcher and teacher who brought European graphic rigor to Bezalel
Example works
An Allegorical Wedding: Sketch for a Carpet (Exile, Marriage, Redemption) — Ephraim Moses Lilien (1906)