Cartographic Art

movement c. 1930-present Worldwide

Cartographic Art, as WikiArt files it, is a loose category rather than a movement: works made across the 20th century that adopt the map - its flat projection, its colored countries, its grids of names - as image or organizing structure. Bruno Munari's Cosmic Map (1930) imagines the world as emblem; Öyvind Fahlström's variable world maps of the 1960s-70s let geography be rearranged as political play; Alighiero Boetti's embroidered Mappa del mondo tapestries chart the Cold War world in national flags; Ion Bitzan's continents float as shaped panels. What unites them is conceptual: the map treated not as a window on space but as a coded, manipulable image of power. The category cuts across movements, from Futurism-adjacent design to Arte Povera and conceptual art.

The Tribuna of the Uffizi (Zoffany)
The Tribuna of the Uffizi (Zoffany)Public domain (credit: Johann Zoffany) · source

Defining characteristics

  • The map's flat projection and outline shapes used as compositional structure
  • Countries rendered in flat color or national flags
  • Political geography as content: borders, renamings, spheres of influence
  • Accumulated place-names and grid text as surface pattern
  • Cartography made manipulable - the map as a coded image of power

Key figures

  • Alighiero Boetti (1940-1994) — Embroidered world maps stitched in national-flag colors
  • Bruno Munari (1907-1998) — Futurist-adjacent designer-artist who mapped the cosmos in emblem form
  • Öyvind Fahlström (1928-1976) — Variable-painting artist who rearranged world maps as political play

Example works

  • Mappa del mondo — Alighiero Boetti (1988)
  • Cosmic Map — Bruno Munari (1930)
  • Sketch for a World Map Part 1 (Americas, Pacific) — Öyvind Fahlström (1972)

Sources

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