Chicanafuturism is a speculative art and cultural movement in which Chicana/o creators imagine the future from Mexican-American experience. The scholar Catherine S. Ramírez coined the term in the journal Aztlán in 2004, rooting it in Chicana feminism, the Chicano Movement and Afrofuturism. Its works - fiction, murals, digital and mixed-media art - project Chicano communities into science-fiction futures, interrogate the U.S.-Mexico borderlands as both geopolitical and spiritual space, and fuse indigenous memory, Catholic iconography and technology; Marion C. Martinez, for instance, rebuilds images of the Virgin of Guadalupe from circuit boards and holographic foil. By centering women and queer people in narratives of science and progress, Chicanafuturism claims a place for Chicana/os in the future as well as the present. It belongs to a wider family of Latino futurisms.
From the artist's website after protest of this painting: "After my initial shock to the reaction to "Our Lady," I realized that the organizCC BY-SA 2.0 (credit: Gozamos) · source
Defining characteristics
Speculative futures built from Chicana/o experience rather than Western sci-fi defaults