The Decadent movement flourished in France, Belgium, and Britain in the 1880s and 1890s, named after critics' jibes that its writers were heirs to a declining civilisation - a charge they proudly embraced. Descended from Baudelaire and Théophile Gautier's doctrine of "art for art's sake," it prized the artificial over the natural and sensation over edifying content. Joris-Karl Huysmans' novel À rebours (1884), whose aesthete hero retreats into a world of rare perfumes and perverse beauty, became the movement's handbook. In visual art it produced Félicien Rops's cruel eroticism, Gustave Moreau's ornate symbolist canvases, and Aubrey Beardsley's sinuous black-and-white illustrations. Oscar Wilde's 1895 trial and Beardsley's early death turned the public against the label, but the sensibility fed directly into Symbolism and Art Nouveau.
Lead image of the Wikipedia article "Decadent movement".Public domain (credit: Félicien Rops) · source
Defining characteristics
Artifice prized over nature: rare perfumes, jewels, and cultivated sensation as subject
Sinuous, ornamental line and densely patterned surfaces
Morbid, erotic, and sardonic subject matter, often with a cruel edge
Femme fatale imagery, sinister saints, and scenes of ritual or ennui
Flat, Japanese-inspired picture space with decorative black-and-white contrast
Exquisite, self-conscious style valued above moral or narrative content
Key figures
Charles Baudelaire(1821-1867) — Poet of Les fleurs du mal (1857), the sensibility's origin point
Joris-Karl Huysmans(1848-1907) — His novel À rebours (1884) gave the movement its aesthete hero and handbook
Gustave Moreau(1826-1898) — Symbolist painter of ornate, jewel-like mythological scenes
Félicien Rops(1833-1898) — Belgian printmaker of erotic-satanic imagery (Pornokratès, 1878)
Aubrey Beardsley(1872-1898) — British illustrator whose black line defined decadent book design