Die Brücke (The Bridge) was founded in Dresden in 1905 by four architecture students - Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, and Fritz Bleyl - who wanted to build a bridge to the art of the future. Rejecting academic finish and bourgeois taste, they painted and printed with raw, unrefined energy, drawing on African and Oceanic sculpture, medieval German woodcuts, and the naked human figure in nature. Their signature medium was the woodcut, whose splintered, angular cutting matched their jarring palette and nervous lines. Summers shared at the Moritzburg lakes produced their emblematic images of nude bathers. The group moved to Berlin in 1911, where Kirchner's claustrophobic street scenes captured the anxious modern city, and dissolved in 1913 amid personal and artistic quarrels - leaving German Expressionism's most vital body of graphic work.
Das Programm der expressionistischen Künstlergemeinschaft "Die Brücke" als Holzschnitt von Kirchner: "Mit dem Glauben an Entwicklung, an einPublic domain (credit: Ernst Ludwig Kirchner) · source
Defining characteristics
Raw, splintered woodcut technique with jagged, angular lines
Jarring, clashing color used for emotional shock rather than description
Distorted figures and flattened space, rejecting academic finish
Nervous, agitated brushwork and steep, vertiginous perspectives
Subjects from modern life: city streets, cabarets, and nude figures in nature
Heavy debt to non-Western sculpture and medieval German printmaking
Key figures
Ernst Ludwig Kirchner(1880-1938) — Founder and leading painter; chronicler of Berlin's anxious street life
Erich Heckel(1883-1970) — Founder whose prints and paintings carried the group's raw lyricism
Karl Schmidt-Rottluff(1884-1976) — Founder and the group's boldest, most rugged woodcut artist
Fritz Bleyl(1880-1966) — Founder who left the group in 1907 for a career in architecture and teaching
Emil Nolde(1867-1956) — Explosive colorist who belonged to the group briefly in 1906-07