Early Byzantine (c. 330–750)
also: Early Byzantine art
Early Byzantine art is the art of the Eastern Roman Empire from the founding of Constantinople in 330 to the eve of Iconoclasm in 750. Working from Roman and Greek techniques, its artists forged a Christian visual language for the imperial court and church: vast gold-ground mosaics, illuminated manuscripts, carved ivories, and panel icons. Under Justinian the great monuments went up - Hagia Sophia (537) in the capital and San Vitale in Ravenna, with its imperial portraits of Justinian and Theodora - while remote workshops such as Saint Catherine's Monastery at Sinai preserved encaustic icons of haunting presence. Where classical art sought convincing physical space, early Byzantine art sought the opposite: a flat, radiant, timeless heaven against which solemn, frontal figures stand in hieratic order.
Defining characteristics
- Gold-ground mosaics that dissolve natural space into timeless, spiritual light
- Hieratic, frontal figures with large eyes and solemn expressions
- Jewel-like color and rich pattern in textiles, vestments, and opus sectile floors
- Classical drapery and modeling progressively flattened into abstract, linear form
- Strict iconographic hierarchy of Christ, the Virgin, saints, and the imperial court
Key figures
- Constantine I (c. 272-337) — Founder of Constantinople whose patronage launched Christian imperial art
- Justinian I (c. 482-565) — Patron of Hagia Sophia and the Ravenna mosaics
- Theodora (c. 500-548) — Empress immortalized in the mosaic court of San Vitale
Example works
- Hagia Sophia — Anthemius of Tralles and Isidore of Miletus (537)
- Christ Pantocrator (Sinai) — Unknown (6th century)
- Justinian and His Court (mosaic, San Vitale) — Unknown (c. 547)
Sources
- Byzantine art - Wikipedia encyclopedia