The École de Nancy (School of Nancy) was a group of Art Nouveau artisans and designers working in Nancy, France, between 1890 and 1914. It grew from the influx of French artists and businesses to Nancy after Alsace and part of Lorraine were annexed by Germany in 1871, and was formally organized in 1901 under Émile Gallé as a provincial alliance of the industries of art - aiming to stage exhibitions, reform artistic education, and adapt the arts to industrial production while keeping utility and the flora of Lorraine at the center. Its founding committee included Gallé, Louis Majorelle, Jean-Antonin Daum, and Eugène Vallin. Renowned for art glass, furniture, stained glass, and architecture such as the Villa Majorelle (1901-1902), the group's ideal was finely crafted, nature-inspired objects made in series for ordinary homes.
Vitrail Luffas et Nymphéas Jacques Gruber (1870-1936) 1907-1908 Vitrail provenant d'une villa construite en 1907 par l'architecte Georges BiCC BY 2.0 (credit: dalbera from Paris, France) · source
Defining characteristics
Whiplash plant forms drawn from Lorraine flora: water lilies, orchids, ginkgo, dragonflies
Cameo and marqueterie glass with layered color and acid-etched vegetal patterns
Furniture uniting figured woods with cast bronze and hammered copper mounts
Stained-glass windows composing light and plants as one image
Utility first: fine craft adapted to serial production for the home
Key figures
Émile Gallé(1846-1904) — Glassmaker and founder who urged artists to return to nature
Louis Majorelle(1859-1926) — Leading furniture designer of the school and president of the alliance
Jacques Grüber(1870-1936) — Stained-glass artist whose windows crowned Nancy's Art Nouveau interiors
Eugène Vallin(1856-1922) — Cabinetmaker, architect, and founding committee member