A found object (objet trouvé) is an ordinary thing - manufactured, natural, or discarded - taken up by an artist and presented as art. The idea is usually traced to the Cubist collages of 1912 and above all to Marcel Duchamp's readymades: a bottle rack, a urinal signed "R. Mutt" (Fountain, 1917) that relocated art from making to choosing. Dada and Surrealism embraced the strategy - Kurt Schwitters built entire environments from bus tickets and scraps - and it fed Pop art, assemblage and installation through the century. Because the artist's selection, title and context do the creative work, the found object poses enduring questions about authorship, originality and what art is. From Duchamp's assisted readymades to Joseph Cornell's shadow boxes and contemporary installation, it remains one of modern art's core techniques.
Marcel Duchamp , 1917, Fountain , photograph by Alfred Stieglitz at the 291 (Art Gallery) following the 1917 Society of Independent Artists Public domain (credit: Marcel Duchamp / Alfred Stieglitz) · source
Defining characteristics
Everyday, mass-made or discarded objects presented as art
Selection and context replace traditional fabrication and craft
Objects used unaltered or minimally altered ('assisted readymade')
Assemblage, collage and shadow-box construction from found material
Title, signature and gallery frame transform the object's meaning
Anti-authorship stance: the choice, not the hand, is the creative act
Key figures
Marcel Duchamp(1887-1968) — Invented the readymade: manufactured objects nominated as art
Pablo Picasso(1881-1973) — Pioneered collage with found materials from 1912
Kurt Schwitters(1887-1948) — Built Merz collages and environments from urban debris
Joseph Cornell(1903-1972) — Made poetic shadow boxes from found objects and images