Golconda painting is the school of miniature painting cultivated under the Qutb Shahi sultans of Golconda, a Deccan sultanate in southern India, and one of the distinctive Deccani traditions alongside Bijapur and Ahmednagar. Painters from across India and the Islamic world settled at the Golconda court until the Mughal conquest of 1687, making its manuscripts unusually heterogeneous. Sultan Ibrahim Qutb Shah was the dynasty's first patron of painting, and the best-preserved monument of the school is the richly illustrated Kulliyat of Muhammad Quli Qutb Shah, probably the sultan's own copy. Its pages lean heavily on Persian imagery, distinguished by local color and a mood the scholar Mark Zebrowski called 'tense opulence'. From the 1630s, as Golconda fell under Mughal influence, portraitists adopted the Mughal convention of placing figures against empty grounds.