The Hague School was a group of Dutch painters who lived and worked in The Hague between 1860 and 1890, taking their cue from the French Barbizon school's plein-air realism. Many had painted at Oosterbeek in the 1850s and absorbed Gerard Bilders' quest for what he called 'the impression of a warm, fragrant gray'. Moving to The Hague from the late 1860s - Mesdag in 1869, Jacob Maris, Jozef Israëls and Anton Mauve in 1870 - they formed a close circle that presented a united front at exhibitions and debated at the Pulchri Studio. The critic Jacob van Santen Kolff named the school in 1875, noting its preference for tone over color, 'bad weather' effects and grey mood. Less interested in faithful description than in atmosphere, they painted polders, dunes, canals and Scheveningen's fishing life in silvery light. Van Gogh took his first lessons from Mauve.
Lead image of the Wikipedia article "Hague School".Public domain (credit: Anton Mauve) · source
Defining characteristics
Restrained, silvery-grey tonality - the 'grey mood' that earned the name Grey School
Tone takes precedence over color: harmonies of muted greys, browns and greens