Hispagnolisme (French: espagnolisme) is the French passion for Spanish culture that swept art and society in the nineteenth century. It surfaced in the eighteenth century - Fragonard painted Spanish costume - and gained force from Napoleon's Peninsular War campaigns, but took off after the 1830s, when Spanish subjects became fashionable in Paris. Painters looked to Velázquez and Ribera: Théodule Ribot's tenebrist kitchen and street scenes, and Manet, whose Spanish-derived Le Déjeuner sur l'herbe and majo portraits made his name. Mérimée's novella Carmen fed Bizet's opera, and the craze reached Britain through Sargent. It outlasted the century: Picasso financed his first Paris stays with bullfight and Spanish peasant pictures. Hispagnolisme is a taste rather than a school - but it taught French painting a new sobriety of subject and colour.
Lead image of the Wikipedia article "Hispagnolisme".Public domain (credit: Didier Descouens) · source
Defining characteristics
Spanish low-life and picturesque subjects: bullfights, taverns, majo and maja costume, blind musicians, beggars
Ribera- and Zurbarán-style tenebrism: near-black grounds with sharply lit figures
Velázquez-influenced loose, silvery-grey brushwork and sober, reduced palettes
Black garments, lace mantillas, fans and guitars staged as Spanish 'signs' in portraiture and genre scenes
Everyday Spanish subjects rendered with realist gravity rather than exotic comedy
Warm earth tones broken by sudden red or white accents
Key figures
Théodule Ribot(1823-1891) — French realist whose tenebrist kitchen and Lazarillo scenes modelled Spanish Golden Age painting
Édouard Manet(1832-1883) — Absorbed Velázquez and Spanish subjects in the paintings that made his name
Prosper Mérimée(1803-1870) — Writer whose novella Carmen (1845) fed the French appetite for Spanish themes
Georges Bizet(1838-1875) — Composer of Carmen (1875), the craze's musical high point
John Singer Sargent(1856-1925) — Carried hispagnolisme to Britain with Spanish dance subjects such as El Jaleo