Ilkhanid art is the art of the Mongol dynasty that ruled Iran and Iraq from 1256 to 1335, with its capital at Tabriz. The conquest folded Persia into the Mongol cultural sphere, and with it came a flood of Chinese and Central Asian motifs - curling cloud bands, gnarled trees, wave-like rocks, dragons and phoenixes - woven into Persian subjects. Court workshops, above all the scriptorium that the vizier Rashid al-Din ran at the Rab'-e Rashidi suburb of Tabriz, produced illustrated histories and epics on an ambitious scale. The period's masterpieces, the Jami' al-Tawarikh and the Great Mongol Shahnameh, abandoned small, flat illustration for large, emotionally charged narrative scenes. Ilkhanid art reshaped Persian painting and set the stage for the classical Persian miniature.
Example work related to "Ilkhanid".Public domain (credit: Unknown) · source
Defining characteristics
Chinese-derived motifs - curling cloud bands, gnarled trees, wave-like rocks - set inside Persian scenes
Large, dominant figures in crowded narrative compositions, unusual for Persian painting
Raw emotional display: mourning figures borrowed from Christian Lamentation imagery
Lapis blue and gold leaf; kings often given halos
Eclectic workshop practice: ink and wash beside opaque watercolour, mixed costumes and headdresses
Text and image integrated across the manuscript page, miniatures set into six columns of script
Key figures
Rashid al-Din Hamadani(1247-1318) — Vizier and historian whose Rab'-e Rashidi scriptorium at Tabriz produced the illustrated Jami' al-Tawarikh