The Heptanese (Ionian) school of painting succeeded the Cretan school as the leading force in post-Byzantine Greek art after Crete fell to the Ottomans in 1669. Based on the Ionian Islands - never part of Ottoman Greece - it flourished from the mid-seventeenth to the mid-nineteenth century, drawing on Venetian, French, and British ties and on artists fleeing Ottoman rule. Early icons still followed Byzantine models, filtered through Italian, Dutch, and Flemish engravings, but in the eighteenth century painters like Panagiotis Doxaras abandoned tempera convention for oil on canvas, perspective, and Western naturalism - the stile Ionico. The school produced the first significant secular painting in modern Greek art, including bourgeois portraiture, genre scenes, and landscapes, and it faded after Greek independence moved cultural life to Athens and the Munich school took over.
Lead image of the Wikipedia article "Ionian school".Public domain (credit: Nikolaos Kantounis) · source
Defining characteristics
Oil on canvas replacing Byzantine egg tempera on panel
Three-dimensional perspective and flexible, Western-style compositions over flat icon conventions
Bourgeois portraits that display class and profession yet probe the sitter's psychology
Religious subjects composed after Italian, Dutch, and Flemish engravings
Illusionistic frescoed church ceilings (ourania) in the Italian Baroque manner
Secular genre scenes, landscapes, and still lifes alongside icons
Key figures
Panagiotis Doxaras(1662-1729) — Pioneer of Western-style oil painting who frescoed Corfu's Saint Spyridon and urged Greek art beyond Byzantine convention