schoolc. 1830-1930Kolkata (Calcutta), IndiaSouth Asia
Kalighat painting (Kalighat Pat) was born around the Kali temple in nineteenth-century Calcutta, where patua scroll painters migrating from rural Bengal found a mass market of pilgrims and city buyers. To sell quickly they abandoned the long narrative scroll for single sheets of cheap paper - one or two figures, a bold outline swept on in a single brushstroke, washes shading the flesh, and a plain background. Gods and goddesses shared the sheet with satirical portraits of the city: the overdressed babu, the courtesan, the Tarakeshwar murder scandal, tiger wrestlers, and pampered cats. Produced assembly-line style by family workshops and sold as souvenirs, the pats are at once folk and startlingly modern - Stella Kramrisch compared their brush drawings to Matisse. Cheap chromolithographs killed the school by the 1930s, but its economy of line fed directly into the modernism of Jamini Roy.
Lead image of the Wikipedia article "Kalighat painting".CC0 (credit: anonymous) · source
Defining characteristics
Single, continuous contour lines drawn in one confident sweep of the brush
Bold simplification: one or two figures on an empty, plain background
Shading by washes running from dark edge to light center to model volume
Cheap, fast production on mill-made paper for a souvenir market
Vibrant watercolour with lamp-black outlines, gold and silver for jewelry
Key figures
Anonymous patua painters(19th century) — Rural Bengali scroll painters who settled around the Kalighat temple and invented the style for the urban market
Jamini Roy(1887-1972) — Modernist painter who drew on the Kalighat idiom and acknowledged his debt to it
Example works
Two Aspects of Kali (Kali Enshrined) — Anonymous patua painter (19th century (Cleveland Museum of Art))
Durga and Mahishasura — Anonymous patua painter (c. 1880)