The Kitsch movement grew out of a 24 September 1998 speech by the Norwegian figurative painter Odd Nerdrum, later elaborated in his book On Kitsch with Jan-Ove Tuv and others. Its painters revive the techniques of the Old Masters and put them at the service of narrative, romanticism, and emotionally charged imagery. In their deliberately provocative definition, kitsch is what the arts of ancient Rome and the techne of ancient Greece always were: art's true home, not a failure of taste. The movement began among Nerdrum's circle of students and spread internationally, mounting exhibitions from Tønsberg and Stavern to Munich, Gothenburg, and the 2010 Kitsch Biennale at Palazzo Cini in Venice. Adherents insist kitsch is a philosophical movement apart from art; either way, it functions as an indirect critique of the contemporary art world.
تابلوی امید اثر « جرج فردریک واتس » متعلق به ۱۸۸۶ است، در این تابلو امید در قالب زنی مجسم شده که چنگی با تنها یک رشتهٔ سالم در دست دارد. او Public domain (credit: George Frederic Watts and workshop) · source
Defining characteristics
Old Master craftsmanship: careful drawing, glazed layers, and modeled form
Narrative first: figures caught in emotionally charged, universal situations
Romantic, often melancholy or tender mood, with sentiment embraced rather than avoided
Warm earth palette with Rembrandt-like light emerging from shadowed grounds
Archetypal figures in timeless settings rather than contemporary subject matter
Key figures
Odd Nerdrum(b. 1944) — Norwegian figurative painter whose 1998 speech and book On Kitsch founded the movement
Jan-Ove Tuv(fl. 1990s-present) — Co-author of On Kitsch and the movement's principal theorist
Helene Knoop(fl. 2000s-present) — Norwegian painter of the founding circle of Nerdrum's students