The Nabis were young French painters - most of them students at the Académie Julian - who banded together in Paris in 1888 and parted ways after a final exhibition in 1900. Their name, coined by the poet Auguste Cazalis from the Hebrew for 'prophets', proclaimed a mission to renew painting. Paul Sérusier brought the spark from Pont-Aven, where Paul Gauguin guided him in painting The Talisman, a small wood panel of flat, vivid color patches. In 1890 Maurice Denis supplied the creed: a picture, before it is anything else, is essentially a flat surface covered with colors assembled in a certain order. Believing art to be a synthesis of symbols rather than a copy of nature, the Nabis moved freely among easel painting, decorative panels, lithography, and theater design, bridging Impressionism and early modernism.
Example work related to "Les Nabis".Public domain (credit: Marie-Lan Nguyen) · source
Defining characteristics
Flat areas of bold, often arbitrary color bounded by clear contours
The picture treated as a decorative arrangement of colors and lines rather than a window onto depth
Intimate subjects - women at their toilette, domestic interiors, gardens - rendered as patterned surfaces
Symbolist overtones: motifs chosen as metaphors rather than naturalistic description
Strong influence of Japanese prints: flattened space, high viewpoints, and cropped framing
Decorative schemes that fuse painting with panels, textiles, and theater sets
Key figures
Paul Sérusier(1864-1927) — Painted The Talisman under Gauguin's guidance, seeding the group's flat-color style
Maurice Denis(1870-1943) — The group's theorist, who defined the painting as 'a flat surface covered with colors' (1890)
Pierre Bonnard(1867-1947) — Painter and lithographer of warm, patterned interiors and everyday life
Édouard Vuillard(1868-1940) — Master of intimate interiors where figures, wallpaper, and fabric merge into pattern
Félix Vallotton(1865-1925) — Swiss-born printmaker whose stark woodcuts defined the Nabis' graphic side