London Regionalism grew up in London, Ontario, in the late 1950s and 1960s, when a circle of artists - among them Greg Curnoe, Jack Chambers, Tony Urquhart, Murray Favro and Ron Martin - decided to stay home rather than move to the metropolitan art centers. They made their own city and daily life the subject and center of their work, and refused both the authority of the big-city art world and the idea of joining movements. The name itself was adopted in defiance, after a Toronto critic used "regionalism" derisively. National recognition came with the National Gallery of Canada's 1968 exhibition Heart of London. Curnoe insisted the scene had nothing to do with 1930s American Regionalism; critics called it Canada's first regional liberation front.
The Tribuna of the Uffizi (Zoffany)Public domain (credit: Johann Zoffany) · source
Defining characteristics
The artist's own city and daily life - local places, domestic interiors, familiar streets - as subject
Bright, saturated color with written text woven directly into the image
Diary-like, time-specific observation of everyday life rather than heroic or universal themes
Marked individual styles - from Chambers' cool perceptual realism to Favro's projected paintings - held together by place
Multimedia crossover between painting, film, sound and performance within one local scene
Key figures
Greg Curnoe(1936-1992) — Painter and catalyst whose studios and Region magazine (1961) anchored the scene
Jack Chambers(1931-1978) — Painter-filmmaker whose "perceptual realism" and The Hart of London gave the scene a theory
Tony Urquhart(1934-2022) — One of Canada's pioneering abstractionists and a founding member of the group
Murray Favro(b. 1940) — Sculptor of projected paintings, reconstructions and mechanical flying machines
Ron Martin(b. 1943) — Abstract painter who generated paintings through conceptually defined series