also: Pittura metafisica · Metaphysical art
Metaphysical painting (pittura metafisica) was developed in Italy by Giorgio de Chirico and Carlo Carrà in the years around World War I. De Chirico began it about 1910: a revelation in Florence's Piazza Santa Croce gave him the theme of the deserted square, and The Enigma of an Autumn Afternoon is considered his first metaphysical work. Drawing on Arnold Böcklin and Max Klinger rather than French modernism, he painted silent arcades, mannequins and incongruous objects under raking light - 'painting that which cannot be seen', as the phrase went. In 1913 Guillaume Apollinaire first called the pictures 'metaphysical'. In 1917, meeting de Chirico in Ferrara, Carrà adopted the style, and with Alberto Savinio the two formally founded the school. Giorgio Morandi, Filippo de Pisis and Mario Sironi followed briefly; by 1919 the founders had moved on - but the enigma passed into Surrealism, from Magritte to Dalí.