In 1892, ninety-six artists resigned from the conservative Munich Artists' Association and founded the Munich Secession (German: Münchener Secession), a cooperative dedicated to exhibiting contemporary art on its own terms. Munich was then Germany's art capital, but its exhibitions were dominated by the "Prince of Painters" Franz von Lenbach and by state-backed history painting; the seceding artists answered with a declaration that every direction of art, old or new, should find a place in their shows. The Secession staged ambitious international exhibitions and ran its own annual displays, uniting impressionist plein-air painting with symbolism and genre realism. Rivalries kept it restless: dissatisfied members formed the Phalanx group in 1901, and the New Munich Secession followed in 1913. Active until 1938, the association was re-established in 1946 and continues to exhibit today.
Poster of the 7th International Art Exhibition in Munich, Germany, in summer 1898Public domain (credit: Franz von Stuck (1863-1928)) · source
Defining characteristics
Luminous plein-air colour: bright, broken brushwork in landscapes and animal subjects
Symbolist mythological figures in dark, dramatically lit settings
Breadth over doctrine: realist, impressionist and symbolist pictures hung side by side
Elegant, psychologically alert portraiture and genre scenes
Bold exhibition graphics, above all Franz von Stuck's poster designs
A polished modern finish that softened academic training with contemporary light
Key figures
Bruno Piglhein(1848-1894) — Sculptor and painter; founder and first president of the Secession (1892)
Franz von Stuck(1863-1928) — Leading figure of the Secession; designed its 1897 international exhibition poster
Fritz von Uhde(1848-1911) — Genre and religious painter who brought impressionist plein-air light to the group
Heinrich von Zügel(1850-1941) — Painter of farm and domestic animals, among the Secession's founding major figures