Neoclassicism emerged in Rome around 1760 as a reaction against the playful ornament of Rococo, fired by the excavations of Pompeii and Herculaneum and the writings of Johann Joachim Winckelmann, who cast ancient Greece as a model of noble simplicity. European art students returned from the Grand Tour carrying Greco-Roman ideals, and the movement spread quickly across the continent on the strength of Enlightenment values: reason, order, and moral seriousness. In France it became the style of revolution and empire, with Jacques-Louis David turning Roman virtue into political imagery. In sculpture, Antonio Canova gave it a polished, statuesque grace. Though its high moment passed by the 1830s, its architectural language of columns, pediments, and symmetry kept reviving well into the twentieth century.
Psyche Revived by Cupid's KissCC BY 2.0 (credit: Kimberly Vardeman from Lubbock, TX, USA) · source
Defining characteristics
Subject matter drawn from Greek and Roman history, myth, and exemplary virtue