The New Kingdom - Egypt's imperial age, spanning the Eighteenth to Twentieth dynasties - is the period that supplies the popular image of pharaonic art. Reunified Egypt of the sixteenth century BC became an empire, and its wealth funded workshops and building on an unmatched scale: temple complexes with pylon gates and columned halls at Karnak and Luxor, rock-cut facades at Abu Simbel, and the painted royal tombs of the Valley of the Kings. Two centuries of convention were interrupted by the Amarna revolution under Akhenaten, whose art loosened the canon toward naturalism, movement, and domestic intimacy before the Ramesside pharaohs restored a monumental classicism. The period's minor arts - gold, faience, and hard stone, above all the gold of Tutankhamun's burial - reached their technical peak.
Abu Simbel Temple of Ramesses II. Taken by myself. May 30, 2007Public domain (credit: Than217 at English Wikipedia) · source
Defining characteristics
Monumental temple architecture: pylon gates, obelisks, and vast columned halls
Sunk relief on exterior walls; painted relief and fresco inside tombs
Flattened registers and composite-view figures in saturated mineral colour
Colossal royal statuary and rock-cut facades (Abu Simbel, the Ramesseum)