Nordic Classicism was a short-lived but luminous phase of architecture in Sweden, Denmark, Norway and Finland, blossoming roughly between 1910 and 1930; in Sweden it is celebrated as Swedish Grace. It grew from classical traditions already present in the Nordic countries, filtered through German and Italian influences, while absorbing early modernist ideas from the Deutscher Werkbund and Le Corbusier's Esprit Nouveau. The style served a new democratic society, shaping town halls, libraries, hospitals, schools and low-cost garden suburbs as well as private houses. Long dismissed as a mere interlude between National Romanticism and Functionalism, it was rediscovered in the 1980s by critics seeking precedent for postmodern classicism. The 1930 Stockholm Exhibition, where Gunnar Asplund and Sigurd Lewerentz unveiled a purist modernism, is usually taken as its endpoint.
Gunnar Asplund, Bibliothèque, StockholmCC BY-SA 2.0 (credit: En Dum En) · source