The Old Kingdom (c. 2686-2181 BC), Egypt's first sustained golden age, produced the art against which pharaonic civilization is still measured. Under the Third to Sixth Dynasties the king became a living god, and the state's wealth poured into monuments built for eternity: Djoser's step pyramid at Saqqara, conceived by Imhotep, and the great pyramids of Sneferu, Khufu, Khafre, and Menkaure at Giza. Art served this project of permanence. Sculpture presented the human body as an idealized, ageless type rather than a particular individual - the enthroned king, the seated official, the striding scribe - carved in hard stone to outlast time. Tomb reliefs and paintings, drawn with precise line and flat, ordered color, depict banquets and offering scenes meant to sustain the dead forever. Hieroglyphic text and image interlock; proportion follows a strict canon.
A Map of the Old Kingdom of Egypt showing trade relations, nomes, other polities as well as cities and settlements from that era.CC BY 4.0 (credit: Cattette) · source
Defining characteristics
Idealized, ageless human types rather than individualized portraits
Frontal torsos with profile heads, arranged in ordered registers
Strict proportional canon and precise, confident outline
Flat, unmodeled areas of color and shallow relief depth
Monumental stone construction - pyramids, temples, statuary - built for eternity
Hieroglyphic text interlocked with image in tomb decoration
Key figures
Imhotep(fl. late 27th century BC) — Chancellor to Djoser credited with conceiving the step pyramid, the first colossal stone building
Sneferu(fl. c. 2600 BC) — First king of the Fourth Dynasty, under whom pyramid building was perfected
Khufu(fl. 26th century BC) — Commissioner of the Great Pyramid at Giza
Khafre(d. c. 2532 BC) — Builder of Giza's second pyramid; the Great Sphinx is attributed to him