Pattern and Decoration was a United States art movement from the mid-1970s to the early 1980s, sometimes called P&D or 'the New Decorativeness'. Its artists came out of 1960s abstraction and rebelled against two things at once: Minimalism's severe, reductive lines, and the Western hierarchy that dismissed ornament as trivial and feminine. They looked to Islamic tile work from Spain and North Africa, Mexican, Roman and Byzantine mosaics, Turkish embroidery, Japanese woodblocks, and Iranian and Indian carpets and miniatures - and to quilts, wallpapers and printed fabrics from the domestic sphere. Work covered the canvas edge to edge in all-over design, blurring the line between art and design. The gallerist Holly Solomon championed the movement, and major surveys at the Hudson River Museum (2008) and MOCA (2019-2020) re-staged it.
Example work related to "Pattern and Decoration".Public domain (credit: Giovanni da Udine) · source
Defining characteristics
Edge-to-edge, all-over pattern with no focal point - background and foreground treated equally
Dense interlocking geometric and floral motifs drawn from Islamic tilework and mosaics
Craft and domestic materials: fabric, quilting, wallpaper, hand-painted tile, needlework
Bright, saturated color and unapologetic pleasure in decoration
'Femmage' - painting fused with sewing, fabric scraps and collage
Minimalist grids retained but filled with lush ornament
Key figures
Miriam Schapiro(1923-2015) — Leader of the movement; coined 'femmage' for painting fused with sewing
Joyce Kozloff(b. 1942) — Painter and muralist whose ornamental installations drew on global decorative traditions
Robert Kushner(b. 1949) — Founder of the movement; lush ornament across painting, costume and mosaic
Valerie Jaudon(b. 1945) — Original member whose patterned abstraction joined grid and ornament
Holly Solomon(1934-2002) — Gallerist who championed the movement at her New York gallery
Example works
Anonymous was a Woman I — Miriam Schapiro (1977)
Tut's Wallpaper — Joyce Kozloff (1979)
An Interior Decorated — Joyce Kozloff (late 1970s)