The return to order (retour à l'ordre) was the turn European art took after the First World War, when artists who had led the avant-garde rejected its extremes for the classical ideals of order and rationality. The impulse was not purely post-war: Spain's Noucentisme and other classicizing strands began before 1918, and many Futurists abandoned their cult of machinery and violence. What emerged was a revival of classicism and representational painting, but one seen through modernism - classical subjects and techniques carrying modernist simplification and ambiguity. The Roman magazine Valori plastici (1918-1922) encouraged and reflected the change, and the movement took its name from Le rappel à l'ordre, the 1926 essay collection by Jean Cocteau. Picasso, Derain, Braque, de Chirico, and Casorati were among its notable artists.
Example work related to "Return to order".Public domain (credit: André Derain) · source
Defining characteristics
Return to clear, sculptural figuration after Cubist and Futurist fragmentation
Classical ideals of order, balance, and rational composition
Emphasis on quality of line: crisp contour and drawn structure
Illusionistic, representational modeling of the human figure
Classical and mythological subjects rendered with modernist simplification
Cool, still, often melancholic mood replacing avant-garde dynamism
Key figures
Pablo Picasso(1881-1973) — Neoclassical figure paintings of the early 1920s defined the movement's look
André Derain(1880-1954) — Left Fauvism for a sober classicism of clear line and calm form
Georges Braque(1882-1963) — Moved from Cubism toward restrained, classical clarity
Giorgio de Chirico(1888-1978) — Metaphysical painter whose enigmatic classicism fed the new classicism
Jean Cocteau(1889-1963) — Poet whose 1926 essay collection Le rappel à l'ordre named the movement
Example works
Two Women Running on the Beach (The Race) — Pablo Picasso (1922)
Pulcinella — Igor Stravinsky (music), Pablo Picasso (design) (1920)