Romanticism appeared in France in the late eighteenth century as a revolt against the formality and strict rules of Neoclassicism, and peaked in the first half of the nineteenth in the writing of Chateaubriand and Victor Hugo, the poetry of Alfred de Vigny, the painting of Eugène Delacroix, and the music of Hector Berlioz. French romantic painting has been called "theatrical romanticism": less concerned with philosophy than with extravagant effect, it twisted and stretched figures, crowded the canvas, left lines imprecise, and staged scenes in exotic settings - Egypt, the Ottoman East. Géricault's Raft of the Medusa turned a contemporary shipwreck into tragedy; Delacroix's Death of Sardanapalus brought Byron's violence to the Salon, and Liberty Leading the People made the July Revolution unforgettable. The movement faded late in the century before realism, Art Nouveau, and modernism.
Lead image of the Wikipedia article "Romanticism in France".Public domain (credit: Eugène Delacroix) · source
Defining characteristics
Dramatic color and movement prized over line and finished contour
Crowded, theatrical compositions full of twisted, straining figures
Extreme emotion - tragedy, heroism, desperation - rendered at full volume
Loose, visible brushwork and deliberately imprecise drawing
Exotic settings: Egypt, the Ottoman East, the medieval past
Contemporary events staged as grand historical spectacle
Key figures
Théodore Géricault(1791-1824) — First major painter of French Romanticism, turning news into tragic spectacle
Eugène Delacroix(1798-1863) — The painter most associated with Romanticism: color, movement, and Byronic drama
Anne-Louis Girodet(1767-1824) — David's pupil whose mysterious, theatrical light announced the new sensibility
Antoine-Jean Gros(1771-1835) — Napoleonic battle painter who bridged Neoclassicism and Romantic drama
Victor Hugo(1802-1885) — Poet and novelist whose prefaces and verse gave the movement its voice