The Rouen School (L'École de Rouen) is the name given to the artists born or working in Rouen and its region who carried Normandy from Impressionism into modern art. The critic Arsène Alexandre coined the term in 1902 for Joseph Delattre, Léon-Jules Lemaître, Charles Angrand, and Charles Fréchon - Post-Impressionists drawn toward Seurat's pointillism in the late 1880s - and later extended it to a second generation, including Robert Antoine Pinchon and Pierre Dumont, who moved through Fauvism toward Cubism. Delattre's free academy, founded in 1895 on the rue des Charrettes, was the school's rallying point; the Groupe des XXX (1907) and the Société Normande de Peinture Moderne (1909) tied Rouen to Matisse, Braque, and the Duchamp family, and through them the region bridged Impressionism and Cubism.
Salon des Artistes Rouennais, c.1930, Musée des Beaux-Arts de RouenPublic domain (credit: Anonymous Unknown author) · source
Defining characteristics
Broken brushwork and divided color derived from Neo-Impressionist pointillism
Luminous, atmospheric Normandy landscapes: the Seine, its bridges, quays, and harbors
Muted, poetic tonality in Angrand set against thick impasto and pure color in Pinchon
En plein air painting of local sites, seasons, and river light
Delicate conté-crayon drawings and pastels with dramatic light and shadow
Second-generation fragmentation as Fauvist color turns toward Cubist structure
Key figures
Joseph Delattre(1858-1912) — Painter and teacher whose free academy (1895) gathered the school's young generation
Charles Angrand(1854-1926) — Neo-Impressionist painter and conté-crayon draughtsman, co-founder of the Société des Artistes Indépendants
Robert Antoine Pinchon(1886-1943) — Post-Impressionist landscapist of the Seine, praised by Monet for his touch and eye
Pierre Dumont(1884-1936) — Founder of the Groupe des XXX and Société Normande, later an organizer of the Salon de la Section d'Or
Example works
La Seine à Croisset — Robert Antoine Pinchon (1903)
Le Pont de Boieldieu, à Rouen — Robert Antoine Pinchon (1905)