The Studio style is the painting style taught at The Studio, the art program Dorothy Dunn opened at the Santa Fe Indian School on 9 September 1932. Dunn taught only basic drawing and colour, deliberately leaving out life drawing and perspective, and her students - from the Rio Grande pueblos, the Navajo Nation and Plains communities - turned ceremonial, mythological and everyday subjects into a distinctive flat figuration. Geronima Cruz Montoya, a graduate of the first class, directed the program from 1937 until the Studio closed in 1962 with the founding of the Institute of American Indian Arts. Often called Flatstyle, the look dominates mid-century Native painting and remains influential, even as later artists like Oscar Howe pushed against its conventions.
Example work related to "Studio style".Public domain · source
Defining characteristics
Heavily outlined flat fields of opaque colour, without shading or modelled volume
Minimal backgrounds: no ground line, no perspective, no cast shadows
Narrative scenes of ceremony, dance, mythology and everyday Indigenous life
Decorative precision in costume detail - blankets, beadwork and feathers rendered as pattern
Isolated frontal or profile figures vignetted across the picture plane
Opaque watercolour or casein on paper and board
Key figures
Dorothy Dunn(1903-1992) — Chicago-trained teacher who founded The Studio in 1932 and defined its flat illustrative style
Gerónima Cruz Montoya(1915-2015) — Ohkay Owingeh painter who directed the Studio from 1937 to 1962, its first Native American teacher
Pablita Velarde(1918-2006) — Santa Clara painter of casein tableaux of Pueblo life such as Basketmaking (c. 1940)
Beatien Yazz(1929-2021) — Navajo painter of animals and people in colorful Flatstyle with minimal backgrounds
Example works
Basketmaking — Pablita Velarde (c. 1940)
Paint the Wind — Beatien Yazz (illustrations) (1958)