The Trecento - Italian shorthand for the thirteen hundreds - names the fourteenth century in Italian cultural history, and in art it is where the Italian Renaissance begins, or at least its Proto-Renaissance. Its towering figure is Giotto, praised by contemporaries as the master who drew figures 'according to nature' and credited by Vasari with breaking decisively from Byzantine style; his fresco cycles in the Scrovegni Chapel, completed around 1305, remain the century's touchstone. Alongside him the Sienese school reached its first summit with Duccio, Simone Martini, Lippo Memmi, and the brothers Ambrogio and Pietro Lorenzetti, while sculptors such as Arnolfo di Cambio and Tino di Camaino carried the new weight and naturalism into marble. The century's art unfolded beside a great flowering of vernacular literature - Dante, Petrarch, Boccaccio - and of secular music.
Collage di varie foto sull'arte italiana.CC BY-SA 3.0 (credit: collection by DanieleDF1995 ( talk )) · source
Defining characteristics
Gold-ground panel painting with punched, tooled halos and elaborate borders
New naturalism: weightier figures, observed gesture, and shallow but believable space
Continuous narrative fresco cycles telling sacred stories scene by scene
Gothic elegance in the Sienese current: flowing line, courtly drapery, rich colour
Sculpted pulpits and tombs with expressive, individualised figures
Luminous tempera colour - lapis blue, vermilion, and gold
Key figures
Giotto(c. 1267-1337) — Florentine master whose naturalism and narrative art opened the Proto-Renaissance
Duccio(c. 1255-c. 1319) — Founder of the Sienese school, fusing Byzantine structure with new sweetness
Simone Martini(c. 1284-1344) — Sienese court painter whose elegant line carried Trecento art toward International Gothic
Ambrogio Lorenzetti(c. 1290-1348) — Painter of the great Allegory of Good and Bad Government in Siena's Palazzo Pubblico