Victorian decorative arts name the full run of designed objects and interiors produced in Britain during Queen Victoria's reign (1837-1901), a period that industrialized manufacture while loudly debating taste. Factory-made ceramics, printed textiles, wallpapers, metalwork and furniture arrived in unprecedented volume, and designers met the new abundance by raiding history: Gothic, Rococo and Renaissance revivals sat side by side with growing Japanese and Middle Eastern influence. Critics like John Ruskin and reformers like Owen Jones argued over ornament, color and honesty of materials, setting the stage for later departures. Out of this restless eclecticism came the Aesthetic Movement, Anglo-Japanese style and, in reaction, the Arts and Crafts movement, so the Victorian interior is where modern design debates begin.
Dante Gabriel Rossetti reading proofs of Sonnets and Ballads to Theodore Watts-Dunton in the drawing room at 16 Cheyne Walk, London;Public domain (credit: Henry Treffry Dunn (1838-1899)) · source
Defining characteristics
Dense, all-over ornament: nearly every surface patterned, carved or printed
Eclectic historicism - Gothic, Rococo and Renaissance motifs mixed freely in one room
Deep, saturated tertiary color in paint, pattern and glaze